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Long before there were creative-writing workshops and degrees, how did aspiring writers learn to write? By reading the work of their predecessors and contemporaries, says Francine Prose.
In Reading Like a Writer, Prose invites you to sit by her side and take a guided tour of the tools and the tricks of the masters. She reads the work of the very best writers—Dostoyevsky, Flaubert, Kafka, Austen, Dickens, Woolf, Chekhov—and discovers why their work has endured. She takes pleasure in the long and magnificent sentences of Philip Roth and the breathtaking paragraphs of Isaac Babel; she is deeply moved by the brilliant characterization in George Eliot's Middlemarch. She looks to John Le Carré for a lesson in how to advance plot through dialogue, to Flannery O'Connor for the cunning use of the telling detail, and to James Joyce and Katherine Mansfield for clever examples of how to employ gesture to create character. She cautions readers to slow down and pay attention to words, the raw material out of which literature is crafted.
Written with passion, humor, and wisdom, Reading Like a Writer will inspire readers to return to literature with a fresh eye and an eager heart.
Francine Prose, in "Reading Like a Writer," argues that creative writing cannot be taught in a classroom. A workshop may provide valuable encouragement and support for a fledgling writer, and a good instructor may show a novice how to edit his work more effectively. However, a writer learns his craft by reading and rereading the books, novels, plays, and short stories of great writers, and he improves his skills through practice. Prose recommends studying "meter with Ovid, plot construction with Homer, comedy with Aristophanes." She backs up her thesis by giving a host of examples from writers she admires, such as Austen, Hemingway, Joyce, Chekhov, and others who are a bit more obscure.
Prose discusses the basics, including the use of the exact word, sentence building, paragraphing, point of view, character, and dialogue. Close reading, she asserts, enables us to understand not only what the writer is stating, but also what he is implying. The subtext is often as... read more
You certainly are a person who enjoys reading. The beauty of this book is that its author teaches us how to read carefully, deliberately and slowly in order to digest and extract the ideas behind the words, and also to identify the style of an specific writer. By doing so Francine Prose gives us the tool that we may require to become a better writer. Basically is a process of learning by example, and Prose goes all the way to select and bring us a lot of examples, both from classical and contemporary authors.
As you advance through the chapters you will find examples covering the fundamentals of writing, including aspects related to narrative, plot development, characters creation, as well as the basics of sentence and paragraph structure.
Even if you have no intention at all of becoming a writer you will love this book, since it also teaches us how to have a better appreciation of what we read.
Francine Prose knows prose. In "Reading Like a Writer," she presents the timeless truth that great writers are great readers of great writers. More than that, Prose parses how to read well, which in our hurried, image-driven age, has become something of a lost art, even for literature lovers.
She not only encourages and explains the reading of the classics, Prose also offers a diet rich in vignettes from an egalitarian menu of authors. She is like a chef who tells you to eat great food, teaches you how to cook five-star meals, and then takes you to a five-star restaurant to become a connoisseur.
As the subtitle suggests, two primary audiences will enjoy "Reading Like a Writer." Anyone who loves books, will glean insights into great books and how to enjoy them. Anyone who wants to write books, will learn how to write better--more creatively, powerfully, and yet still personally.
Reviewer: Bob Kellemen, Ph.D., is the author of "Soul Physicians,"... read more
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