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Frank Lloyd Wright was renowned during his life not only as an architectural genius but also as a subject of controversy—from his radical design innovations to his turbulent private life, including a notorious mass murder that occurred at his Wisconsin estate, Taliesin, in 1914. But the estate also gave rise to one of the most fascinating and provocative experiments in American cultural history: the Taliesin Fellowship, an extraordinary architectural colony where Wright trained hundreds of devoted apprentices and where all of his late masterpieces—Fallingwater, Johnson Wax, the Guggenheim Museum—were born.
Drawing on hundreds of new and unpublished interviews and countless unseen documents from the Wright archives, The Fellowship is an unforgettable story of genius and ego, sex and violence, mysticism and utopianism. Epic in scope yet intimate in its detail, it is a stunning true account of how an idealistic community devolved into a kind of fiefdom where young apprentices were both inspired and manipulated, often at a staggering personal cost, by the architect and his imperious wife, Olgivanna Hinzenberg, along with her spiritual master, the legendary Greek-Armenian mystic Georgi Gurdjieff. A magisterial work of biography, it will forever change how we think about Frank Lloyd Wright and his world.
For years I have been devoted to Frank Lloyd Wright, seeking out his buildings and reading all I could get my hands on about his life and work. His one-of-a-kind genus created a body of work which has lost none of its power. For me that power holds a nostalgia, too, for an era we will never see again, a time when cheap labor and an architect's take-no-prisoners charisma could get astonishing structures erected. Those elegant Usonian homes from the 1940s do make me pine for an era of cheaper materials and fewer code restrictions. One can read the histories of his structures and grow dewey-eyed: To think there was a time when one could build a house for $5,000, and have that house be an exquisite cedar and brick jewel box, sited magnifiecntly on a bluff with a glorious view of the valley below -- in very short order proclaimed a masterpiece -- !
But so much of the canonical Wright literature is hagiography. This book is anything but. Its first pages, for instance, rip away... read more
This is one of the most engaging non-fiction books I've read in the last few years. The reviewer who said that it combines the joys of People magazine and scholarship definitely has a point. The story of Wright's fellowship is wonderfully peculiar, amazing, and sad. I came to the book with some knowledge of Wright (I've been to both Taliesins and have visited a number of his other buildings) and a strong interest in 20th century American cultural history. But Wright's always been a puzzle. He was a great genius, but his roofs leaked. His architecture (to me, anyway) is infinitely more appealing than that of the International Style, but somehow became an also-ran. No strong proteges ever emerged to carry the torch.
This book certainly provides many clues to the puzzles of Wright. For one thing, it places him in the context of his culture. For example, I had no idea of the strong influence the occultist Georgi Gurdjieff had on Wright and especially his wife Olgivanna... read more
Like many former apprentices I learned much more about Olgivanna
than I knew from my own contact during the time I was apprenticed at
Taliesin. It never occurred to me that she was indeed cruel--I just thought she was
FLLW's means to keep himself free of the logistics of housekeeping.
He never expressed much liking for the mystic Gurjieff, and Olgivanna set up the school
following Wright's death which spelled the demise of Wright's ideas in favor of the mystic.
I am sorry that the existing remnants of the Fellowship at Taliesin
seem to have prevailed in denying this exposition. The idolization of
Olgivanna persists!
The book reveals it all and is a great read!
Bill Patrick
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