The Politics of Gift-Giving and the Provocation of Lars von Trier's Dogville Dany Nobus
No Pain No Gain, Kate Oldfield and Kai Graf von Pahlen
Pressinfo För dig naken en film av Sara Broos
Film Locations LA
Modern Film Locations
LA Film Locations
GM BOARD OF DIRECTORS CORPORATE GOVERNANCE GUIDELINES (INDEX)
PERFORMANCE OF FALLING FILM PLATE EVAPORATORS IN RECONSTRUCTED MULTIPLE-EFFECT EVAPORATION STATION IN SUGAR FACTORY
Studies on the Fe-P Film Plating from a Chemical Bath : Deposition Mechanism and Parameter Effects
High-Frequency Noise Suppression Using Ferrite-Plated Film
Scandinavia's foremost living auteur and the catalyst of the Dogme95 movement, Lars von Trier is arguably world cinema's most confrontational and polarizing figure. Willfully devastating audiences, he takes risks few filmmakers would conceive, mounting projects that somehow transcend the grand follies they narrowly miss becoming. Challenging conventional limitations and imposing his own rules, he restlessly reinvents the film language. The Danish director has therefore cultivated an insistently transnational cinema, taking inspiration from sources that range from the European avant-garde to American genre films. This volume provides a stimulating overview of Trier's career while focusing on the more recent work, including his controversial Gold Heart Trilogy (Breaking the Waves, The Idiots, and Dancer in the Dark), the as-yet unfinished USA Trilogy (Dogville and Manderlay), and individual projects such as the comedy The Boss of It All and the incendiary horror psychodrama Antichrist. Closely analyzing the films and their contexts, Linda Badley draws on a range of cultural references and critical approaches, including genre, gender, and cultural studies, performance theory, and trauma culture. Two revealing interviews that Trier granted during crucial stages of Antichrist's development are also included.
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