Comparing Expected Leadership Styles in Taiwan and the United States: A Study of University Employees
Correcting Mistakes : Cognitive Dissonance and Political Attitudes in Sweden and the United States
Electronic Banking in Finland and the Effect on Money Velocity
THE GENERAL CONDITION OF WOMEN IN TURKEY AND THE EFFECTS OF ...
Paula and the Pontiacs - Blues in da Parish Festival 2013
Testbank For Choices in Relationships An Introduction to Marriage and the Family 11th Edition by Knox
Testbank For The Human Body in Health and Disease 5th Edition by Thibodeau
Testbank For The Human Body in Health and Illness 4th Edition by Herlihy
Coal Seam Gas/ Coal Bed Methane (CSG/CBM) in Asia - Market Analysis, Investment Scenario, Competitive Landscape and Production Forecasts to 2020
The Mobile Question: Lessons in Design and Strategy for Your Mobile Experience
Animation has had a global renaissance during the 1990s, and nowhere is this more evident than in Asia. With the exception of China and Japan, most Asian nations are relatively new to this art form. Over the last decade, countries such as Taiwan, South Korea, the Philippines, and Thailand, as well as China, have acted as major offshore production plants for North American and European studios. One of the spurs for this increase in activity has been the global growth of terrestrial, cable, satellite, and video systems, all demanding large menus of programming, including animation. A second spur has been the exceptional popularity that Japanese anime has enjoyed across Asia, Europe, and the United States.
Despite these developments, there has not been corresponding growth of a serious literature covering industrial and aesthetic issues about Asian animation, and the small amount of work that has been produced has not been published in English. Animation in Asia and the Pacific provides the first continent-wide analysis, delving into issues of production, distribution, exhibition, aesthetics, and regulation in this burgeoning field. Animation in Asia and the Pacific also offers vignettes of the fascinating experiences of a group of animation pioneers. The historical and contemporary perspectives derive from interviews, textual analysis, archival research, and participation/observation data.
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