Harry Potter and the Order of the Phoenix
Harry Potter and the Prisoner of Azkaban Unofficial Strategy Guide
Modern Auditing Assurance Services and the Integrity of Financial Reporting, 8th Edition , Boynton, Johnson ,Complete Case Solution, Test files , Excel Solutions for Modern Auditing: Assurance Services and the Integrity of Financial Reporting, 8th Editi
7 New Age Ebooks At The Price Of One
MEMORANDUM OF AGREEMENT BETWEEN THE OFFICE OF NEW DRUGS AND THE OFFICE OF SURVEILLANCE AND EPIDEMIOLOGY IN THE CENTER FOR DRUG EVALUATION AND RESEARCH
New Media, Convergence and TV Storytelling Formulas (From classical television storytelling to new media video scenarios)"
Business Law and the Regulation of Business, 10th Edition, By Roberts Mann, IM+TB
MEMORANDUM OF UNDERSTANDING BETWEEN THE OFFICE OF ADVOCACY, U.S. SMALL BUSINESS ADMINISTRATION AND THE OFFICE OF INFORMATION AND REGULATORY AFFAIRS, OFFICE OF MANAGEMENT AND BUDGET
The new Apple iTV and the future of television
THE ART OF RECORDING AND THE AESTHETICS OF PERFECTION
In Always Already New, Lisa Gitelman explores the newness of new media while she asks what it means to do media history. Using the examples of early recorded sound and digital networks, Gitelman challenges readers to think about the ways that media work as the simultaneous subjects and instruments of historical inquiry. Presenting original case studies of Edison's first phonographs and the Pentagon's first distributed digital network, the ARPANET, Gitelman points suggestively toward similarities that underlie the cultural definition of records (phonographic and not) at the end of the nineteenth century and the definition of documents (digital and not) at the end of the twentieth. As a result, Always Already New speaks to present concerns about the humanities as much as to the emergent field of new media studies. Records and documents are kernels of humanistic thought, after all--part of and party to the cultural impulse to preserve and interpret. Gitelman's argument suggests inventive contexts for "humanities computing" while also offering a new perspective on such traditional humanities disciplines as literary history.Making extensive use of archival sources, Gitelman describes the ways in which recorded sound and digitally networked text each emerged as local anomalies that were yet deeply embedded within the reigning logic of public life and public memory. In the end Gitelman turns to the World Wide Web and asks how the history of the Web is already being told, how the Web might also resist history, and how using the Web might be producing the conditions of its own historicity.
Use coupon below to get discount at eCampus.com!
$3 off textbook orders over $75
$4 off textbook orders over $90
$5 off textbook orders over $100
Copy the coupon code before clicking the button!
|Amazon US||Paperback||$14.32 - $23.00|
Exploring globalization from a labor history perspective, Aviva Chomsky provides historically grounded analyses of migration, labor-management collaboration, and the mobility of capital. She ...