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A People and a Nation: A History of the United States, Volume I: To 1877, 9th Edition, Mary Beth Norton, Carol Sheriff, David W. Blight, Howard P. Chudacoff, Fredrik Logevall, Beth Bailey, ISBN-10: 0495915890, ISBN-13: 9780495915898, CENGAGE(©2012),
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RESURRECTION ROW is the fourth in the Charlotte and Thomas Pitt series that begins with "The Cater Street Hangman." Once again, Perry creates a fairly strong sense of place with very few details. She uses interesting twists and turns and colorful characters, and once again there's a certain amount of -- let's call it "unpleasantness." Her books aren't pretty. This time we get more insight into Thomas's character, because Charlotte isn't involved as much in this one. And, as with Perry's others, we get a good look at all levels of the class system in place in London at the time. The plot is fascinating and the conclusion is very satisfying.
This is the fourth novel in the Charlotte and Inspector Thomas Pitt series of high Victorian mysteries, though I've read several others out of order. All of them seem to be a mix of police procedural and social commentary, in which Pitt has to delve into the depths of London's underclass while Charlotte wades through the unpleasantnesses of Society's drawing rooms. Sometimes the latter is better written and more interesting than the former, but in this case the mystery is interesting and also funny in an oddball way. The recently buried keep turning up out of their coffins -- sitting in hansom cabs, or in church pews, or leaning against their own tombstones. All were apparently natural deaths, so Thomas isn't even quite sure for much of the book whether any serious crime actually has been committed. Meanwhile, Mr. Carlisle, an avid and politically astute social reformer, is making converts to his cause of reforming the workhouses by dragooning his social acquaintances into visiting... read more
Exceptional. All of the Pitt series is good, but this may be one of the best. As an avid reader of mysteries, I found it wonderfully frustrating to get into the last chapter without actually knowing who the killer was. Better, Perry did it without cheating. Once you get to the solution, you realize that ever clue you needed was right there all along, and each false trail was masterfully done. My only complaint in this book is that Perry padded large sections with irrelevant musings, and several were actually out of character for the person musing. There is a section with Thomas mulling all of the dead ends in a dispassionate mental voice that is completely different than in any other part of the series, and another with Charlotte using the same cadence, rehashing discarded leads. It feels as if her publisher came back and demanded about twenty more pages, and she scrambled to cram them into an otherwise tight and well-crafted book. On the other hand, her mastery of the period is... read more
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