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What fascinates me so much about Itten's classic book is its deeply philosophical, even quasi-religious approach to color. Itten was as much interested in the spirituality of color as in developing a theory of color. Another great aspect of the book is the numerous master paintings beautifully reproduced and intertwined with his own theories and color diagrams. You get paintings by Rembrandt, Renoir, Monet, El Greco, Seurat, and so many others. Itten is always contrasting the objective and the subjective aspects of art and color, and it makes for a fascinating reading experience. Itten has a mature perspective on these painters and their relation to color. Its only flaw is that Itten's is only one perspective. I wish there were more authors who could write and analyze art at this level, and who weren't afraid to be spiritual in their assessments.With so many dramatic advancements in technology, we tend to forget very quickly where we were. Just a decade or so ago, this book... read more
This book of Johannes Itten is a good example of the use of colour in the antroposofic way. He connects the different colours with moods and feelings, religious symbols and even gives it a spiritual dimension. For me it was an eye-opener on the aspect of harmony. Itten emphasizes that the eye and mind are always looking for balance, harmony in the sense of a grey-tone. If a work of art does not reflect this kind of harmony, for instance because of a distonality in the use of colours, the eye and mind get restless and agitated. But if used on purpose this aspect of colour gives a work of art a very strong impact and makes it a masterpiece.[...].
Anyone interested in the color theory and its applicance on art should seriously consider this book. Everything explained is illustrated by high quality examples and samples from different artists' work; definitely made me happy.
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