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This book has been helping students navigate through the thickest of literary and cultural theory for well over a decade now. This new and expanded third edition continues to offer students and readers the best one-volume introduction to the field.
The bewildering variety of approaches, theorists and technical language is lucidly and expertly unravelled. Unlike many books which assume certain positions about the critics and the theories they represent, Peter Barry allows readers to develop their own ideas once first principles and concepts have been grasped.
The book has been updated and includes two new chapters, one of which (Literary theory -- a history in ten events) innovatively surveys the course of theory, while the other (Theory after ‘Theory’) maps the arrival of new 'isms' since the second edition appeared in 2002.
This is not some dry academic tome, but is an approachable work with a fresh style. Although I read this outside of the classroom, and both enjoyed and benefited from it, as an experienced instructor, Peter Barry is actually providing a textbook . Each theory includes a 'Stop and Think' section that contains questions which zero in on its essential aspects or weaknesses. Major theorists are discussed and they are placed into a historical and cultural context. Each theory has a concise list of bullet points on what critics of that school actually do, or how they interpret literary works. The chapters conclude with lists of recommended readings, including annotations on their significance and how best to read or approach them.He does a marvelous job of placing literary theory into a context as the most recent series of attempts to answer questions that have been ongoing at least since Victorian times. The introduction is perhaps the most important part of the book. While someone... read more
Most books that style themselves as "introductions" to literary theory fall short of their promise, often resorting to the same jargon the novice is trying to decipher or operating on the assumption that the reader already has a background in the field (which would preclude the need for an "introduction"). This is the main flaw with Terry Eagleton's much used "Literary Theory: An Introduction," which is as obscurantist as it is lucid. Peter Barry's "Beginning Theory," on the other hand, is the ideal primer for theoretical studies and is, bar none, the least polemical and most straightforward introduction to critical theory yet written.Barry takes the reader step-by-step through most of the significant areas of literary theory (passing over reception theory and substituting an analysis of liberal humanism for the New Criticism), explaining their basic theoretical foundations carefully and clearly, with an emphasis on understanding through... read more
As a literature professor, I have a professional responsibility to know about literary theory. And let's face it: it's a pretty scary and complex subject, feared by many and mastered by few. In fifteen years in the business, I have read many books about lit crit and literary theory, and Peter Barry's book is BY FAR the best. It is, indeed, "only" an introduction to the subject, rather than an advanced study, but it is brilliantly clear, and blessedly jargon-free.
Barry writes as though his readers are new to the subject, but bright and curious. And he delivers the goods! This is the book I refer to when in doubt, and the book I encourage my graduate students to purchase. I would recommend anyone who is pursuing graduate study in the humanities to own and carefully read this book. If you read this one carefully, you won't need any of the other intro-to-lit-crit books on the market, which simply don't measure up.
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