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UPDATE `aff_pdf_cache` SET `cache` = 'a:10:{i:0;O:8:\"stdClass\":13:{s:2:\"id\";s:6:\"209627\";s:6:\"status\";s:8:\"verified\";s:11:\"author_name\";s:9:\"silkwould\";s:9:\"author_id\";s:5:\"61996\";s:14:\"author_website\";s:0:\"\";s:5:\"title\";s:136:\"‘‘We All Have Feelings for Our Girlfriends:’’ Progressive (?) Representations of Lesbian Lives on the The L Word\";s:11:\"description\";s:1215:\"The Showtime series The L Word (2004–2009) marked one of the first dramatized representations of prominent lesbian characters. While many popular culture scholars are focusing attention on the recent ‘‘gaying’’ of television narrative (e.g., Battles and Hilton-Morrow in Critical Studies in Media Communication 19: 87–105, 2002; Shugart in Text and Performance Quarterly 23: 30–54, 2003; Critical Studies in Media Communication 20: 67–91, 2003), far less attention is given to non-romantic interpersonal relationships surrounding main characters in these narratives. Sexuality scholarship notes that lesbian individuals must negotiate their self-disclosure to heterosexuals (Dindia in Dialectical approaches to studying per- sonal relationships, Lawrence Erlbaum Associates Inc., Mahwah, NJ, 1998), and that this can be challenging for forming relationships and maintaining identity (Meyer in Communication Quarterly 51: 262–276, 2004). Ultimately, this essay argues that despite the gains in visibility and even in intimacy, The L Word artic- ulates an ideology of avoidance whereby the underlying problems of heterosexism and homophobia are left unchallenged.\";s:5:\"thumb\";s:116:\"images/t/2097/we-all-have-feelings-for-our-girlfriends-progressive-representations-of-lesbian-lives-on-the-the-l.jpg\";s:6:\"thumb2\";s:117:\"images/t2/2097/we-all-have-feelings-for-our-girlfriends-progressive-representations-of-lesbian-lives-on-the-the-l.jpg\";s:9:\"permalink\";s:98:\"we-all-have-feelings-for-our-girlfriends-progressive-representations-of-lesbian-lives-on-the-the-l\";s:5:\"pages\";s:2:\"18\";s:6:\"rating\";s:1:\"0\";s:5:\"voter\";s:1:\"0\";}i:1;O:8:\"stdClass\":13:{s:2:\"id\";s:6:\"209620\";s:6:\"status\";s:8:\"verified\";s:11:\"author_name\";s:9:\"silkwould\";s:9:\"author_id\";s:5:\"61996\";s:14:\"author_website\";s:0:\"\";s:5:\"title\";s:74:\"“L” IS FOR LOOKING AGAIN: Art and representation on The L Word\";s:11:\"description\";s:1181:\"This paper focuses on an important aspect of the Showtime television series The L Word: its exploration of the representation of gender and sexuality in contemporary visual art. The program presents a sophisticated feminist perspective on the histories of female and lesbian representation, and it uses the work of particular contemporary artists, who are known for their engagement with questions of female, lesbian, and/or queer representation, to advance its critique of a long history of erasure, misrepresentation, and objectification. Simultaneously, while foregrounding its awareness of the contradictions of trying to create new forms of representation in a thoroughly commercial and commodified context, the program uses works of art to present the possibility of inventing alternative images or of redefining existing ones. The show’s consistent attention to innovative art constitutes a formal device that offers a counter-discourse to those conventions of representation required by the show’s need to appeal to a broad audience. In this way, The L Word offers attentive viewers new ways to look at and think about apparently familiar images and narratives.\";s:5:\"thumb\";s:77:\"images/t/2097/l-is-for-looking-again-art-and-representation-on-the-l-word.jpg\";s:6:\"thumb2\";s:78:\"images/t2/2097/l-is-for-looking-again-art-and-representation-on-the-l-word.jpg\";s:9:\"permalink\";s:59:\"l-is-for-looking-again-art-and-representation-on-the-l-word\";s:5:\"pages\";s:2:\"20\";s:6:\"rating\";s:1:\"0\";s:5:\"voter\";s:1:\"0\";}i:2;O:8:\"stdClass\":13:{s:2:\"id\";s:6:\"209631\";s:6:\"status\";s:8:\"verified\";s:11:\"author_name\";s:9:\"silkwould\";s:9:\"author_id\";s:5:\"61996\";s:14:\"author_website\";s:0:\"\";s:5:\"title\";s:74:\"Having It All Ways: The Tourist, the Traveler, and the Local in The L Word\";s:11:\"description\";s:676:\"Abstract: One ofthe nwst effective strategies ofthe lesbian-themed serial drama The L Word has heen a double one: to produce .sex scenes that ensure appeal for a preniiuin-paijijig straight audience, while offering specific pleasures for queer viewers \"in the know.\" Anahjzing scenes from the .\'ihow\'s first and second seasons, I will denumstrate how the hit Showtime series makes us all touri.sts, through the enticement of lesbian sex (a spectacle of attraction for .straight and queer viewers alike) and through the wonderment of either \"understanding\" the other or \"recog- nizing\" oneself (fantasy ofauthenticittj), through both \"watching from a remove\" and \"being there.\"\";s:5:\"thumb\";s:89:\"images/t/2097/having-it-all-ways-the-tourist-the-traveler-and-the-local-in-the-l-word.jpg\";s:6:\"thumb2\";s:90:\"images/t2/2097/having-it-all-ways-the-tourist-the-traveler-and-the-local-in-the-l-word.jpg\";s:9:\"permalink\";s:71:\"having-it-all-ways-the-tourist-the-traveler-and-the-local-in-the-l-word\";s:5:\"pages\";s:2:\"22\";s:6:\"rating\";s:1:\"0\";s:5:\"voter\";s:1:\"0\";}i:3;O:8:\"stdClass\":13:{s:2:\"id\";s:5:\"99998\";s:6:\"status\";s:8:\"verified\";s:11:\"author_name\";s:5:\"walid\";s:9:\"author_id\";s:1:\"0\";s:14:\"author_website\";s:0:\"\";s:5:\"title\";s:32:\"Welcome to our class Dr. Spivey.\";s:11:\"description\";s:33:\"Welcome to our class Dr. Spivey. \";s:5:\"thumb\";s:77:\"data/thumb/Welcome-to-our-class-Dr.-Spivey.-Presentation-Transcript-16064.jpg\";s:6:\"thumb2\";s:78:\"data/thumb2/Welcome-to-our-class-Dr.-Spivey.-Presentation-Transcript-16064.jpg\";s:9:\"permalink\";s:30:\"welcome-to-our-class-dr-spivey\";s:5:\"pages\";s:2:\"10\";s:6:\"rating\";s:1:\"0\";s:5:\"voter\";s:1:\"0\";}i:4;O:8:\"stdClass\":13:{s:2:\"id\";s:6:\"517564\";s:6:\"status\";s:8:\"verified\";s:11:\"author_name\";s:12:\"malena johns\";s:9:\"author_id\";s:1:\"0\";s:14:\"author_website\";s:29:\"http://www.cdsoundmaster.com/\";s:5:\"title\";s:34:\"The last word Guide To VST Plugins\";s:11:\"description\";s:34:\"The last word Guide To VST Plugins\";s:5:\"thumb\";s:52:\"images/t/5176/the-last-word-guide-to-vst-plugins.jpg\";s:6:\"thumb2\";s:53:\"images/t2/5176/the-last-word-guide-to-vst-plugins.jpg\";s:9:\"permalink\";s:34:\"the-last-word-guide-to-vst-plugins\";s:5:\"pages\";s:1:\"2\";s:6:\"rating\";s:1:\"0\";s:5:\"voter\";s:1:\"0\";}i:5;O:8:\"stdClass\":13:{s:2:\"id\";s:6:\"113019\";s:6:\"status\";s:8:\"verified\";s:11:\"author_name\";s:6:\"terttu\";s:9:\"author_id\";s:1:\"0\";s:14:\"author_website\";s:0:\"\";s:5:\"title\";s:45:\"Watch Welcome To The Rileys Movie Online Free\";s:11:\"description\";s:147:\"\n

  1. Watch Welcome To The Rileys Movie Online Free Hollywoodmoviez.com Click here to Download movie click here to watch movie
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\";s:5:\"thumb\";s:88:\"data/thumb/Watch-Welcome-To-The-Rileys-Movie-Online-Free-Presentation-Transcript-570.jpg\";s:6:\"thumb2\";s:89:\"data/thumb2/Watch-Welcome-To-The-Rileys-Movie-Online-Free-Presentation-Transcript-570.jpg\";s:9:\"permalink\";s:45:\"watch-welcome-to-the-rileys-movie-online-free\";s:5:\"pages\";s:1:\"1\";s:6:\"rating\";s:1:\"5\";s:5:\"voter\";s:1:\"1\";}i:6;O:8:\"stdClass\":13:{s:2:\"id\";s:6:\"209625\";s:6:\"status\";s:8:\"verified\";s:11:\"author_name\";s:9:\"silkwould\";s:9:\"author_id\";s:5:\"61996\";s:14:\"author_website\";s:0:\"\";s:5:\"title\";s:66:\"Becoming the homovoyeur: consuming representation in Queer as Folk\";s:11:\"description\";s:907:\"Gay and lesbian representations in television programming have changed drastically in the past few years with the introduction of shows such as The L Word and Queer as Folk. The number of heterosexuals watching queered television has also increased, leaving us wondering how we can interpret their growing numbers as cultural consumers of queer portrayals. This article infuses cultural and queer studies with sociology, proposing that straight viewers of the television program Queer as Folk become ‘‘homovoyeurs’’ through their consumption of queer imagery as spectacle and entertainment. Through a semiotic reading, I also suggest that queer television programming 䏰 while opening up symbolic spaces for cross-sexual identity consumption 4ϰ still leaves intact barriers to meaningful interaction and dialogue across the homosexual/ heterosexual identity boundary.\";s:5:\"thumb\";s:83:\"images/t/2097/becoming-the-homovoyeur-consuming-representation-in-queer-as-folk.jpg\";s:6:\"thumb2\";s:84:\"images/t2/2097/becoming-the-homovoyeur-consuming-representation-in-queer-as-folk.jpg\";s:9:\"permalink\";s:65:\"becoming-the-homovoyeur-consuming-representation-in-queer-as-folk\";s:5:\"pages\";s:2:\"18\";s:6:\"rating\";s:1:\"0\";s:5:\"voter\";s:1:\"0\";}i:7;O:8:\"stdClass\":13:{s:2:\"id\";s:6:\"385224\";s:6:\"status\";s:8:\"verified\";s:11:\"author_name\";s:11:\"fullreviews\";s:9:\"author_id\";s:6:\"558549\";s:14:\"author_website\";s:0:\"\";s:5:\"title\";s:63:\"How To Use The Law Of Attraction To Build A Successful Business\";s:11:\"description\";s:63:\"How To Use The Law Of Attraction To Build A Successful Business\";s:5:\"thumb\";s:81:\"images/t/3853/how-to-use-the-law-of-attraction-to-build-a-successful-business.jpg\";s:6:\"thumb2\";s:82:\"images/t2/3853/how-to-use-the-law-of-attraction-to-build-a-successful-business.jpg\";s:9:\"permalink\";s:63:\"how-to-use-the-law-of-attraction-to-build-a-successful-business\";s:5:\"pages\";s:1:\"2\";s:6:\"rating\";s:1:\"0\";s:5:\"voter\";s:1:\"0\";}i:8;O:8:\"stdClass\":13:{s:2:\"id\";s:6:\"398616\";s:6:\"status\";s:8:\"verified\";s:11:\"author_name\";s:10:\"guidebooks\";s:9:\"author_id\";s:6:\"565240\";s:14:\"author_website\";s:0:\"\";s:5:\"title\";s:77:\"How To Hunt Turkey The Essential Beginners Guide to Turkey Hunting Homepage\";s:11:\"description\";s:77:\"How To Hunt Turkey The Essential Beginners Guide to Turkey Hunting Homepage\";s:5:\"thumb\";s:93:\"images/t/3987/how-to-hunt-turkey-the-essential-beginners-guide-to-turkey-hunting-homepage.jpg\";s:6:\"thumb2\";s:94:\"images/t2/3987/how-to-hunt-turkey-the-essential-beginners-guide-to-turkey-hunting-homepage.jpg\";s:9:\"permalink\";s:75:\"how-to-hunt-turkey-the-essential-beginners-guide-to-turkey-hunting-homepage\";s:5:\"pages\";s:1:\"1\";s:6:\"rating\";s:1:\"0\";s:5:\"voter\";s:1:\"0\";}i:9;O:8:\"stdClass\":13:{s:2:\"id\";s:6:\"399175\";s:6:\"status\";s:8:\"verified\";s:11:\"author_name\";s:10:\"guidebooks\";s:9:\"author_id\";s:6:\"565240\";s:14:\"author_website\";s:0:\"\";s:5:\"title\";s:78:\"Mental Golf Training Learn The Mental Golf Secrets To Improve Your Golf Swing\";s:11:\"description\";s:78:\"Mental Golf Training Learn The Mental Golf Secrets To Improve Your Golf Swing\";s:5:\"thumb\";s:95:\"images/t/3992/mental-golf-training-learn-the-mental-golf-secrets-to-improve-your-golf-swing.jpg\";s:6:\"thumb2\";s:96:\"images/t2/3992/mental-golf-training-learn-the-mental-golf-secrets-to-improve-your-golf-swing.jpg\";s:9:\"permalink\";s:77:\"mental-golf-training-learn-the-mental-golf-secrets-to-improve-your-golf-swing\";s:5:\"pages\";s:1:\"1\";s:6:\"rating\";s:1:\"0\";s:5:\"voter\";s:1:\"0\";}}', `cache_on` = '2015-02-28 00:21:08' WHERE `aff_id` = '959067'