An Introduction to Classical Education
The Use of Classical and Operant Conditioning in Training Aldabra Tortoises (Geochelone gigantea) for Venipuncture and Other Husbandry Issues
Classical and Operant Conditioning as Roots of Interaction for Robots
ANew Conformal Theory of Semi-Classical Quantum General Relativity
Classical Greek Humanism
Christmas Shopping - Classical Music
The Classical Music Store
CLASSICAL RELATIVITY THEORY
New Media, Convergence and TV Storytelling Formulas (From classical television storytelling to new media video scenarios)"
Characteristics of Classical, Folk and Pop Music
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ExpDesign Studio facilitates more efficient clinical trial designThis book introduces pharmaceutical statisticians, scientists, researchers, and others to ExpDesign Studio software for ...
Throughout India and Southeast Asia, ancient classical epicsthe Mahabharata and the Ramayanacontinue to exert considerable cultural influence. Rethinking India's Oral and Classical ...
This concise bibliography is a comprehensive list of Classical Arabic texts on grammar, lexicography, adab, balagha, metrics and poetry, which have been edited from 1960 to 2000.
Samkhya and Yoga are two of the oldest and most influential systems of classical Indian philosophy. Filling a gap in current scholarship, this stimulating book provides a thorough analysis of the ...
A study of the ways in which classical Athenian texts represent and evaluate the morality of deception. It is particularly concerned with the way in which the telling of lies was a problem for the ...
Groundbreaking study examining the imagery of the mouth in classical Athenian invective.
Bringing the analytical approach of modern philosophy to bear upon the literature of ancient and classical India, Ganeri explains and explores the central methods, concepts and devices of a rich, ...
The famous quip ''I don't know much about art, but I know what I like'' sums up many people's ideas about how to judge a work of art; but there are inherent limitations if we rely on immediate ...
This title comprises a collection of essays presenting a variety of approaches to films set in Ancient Greece and Rome and to films that reflect archetypal features of classical literature.
This book explores the perceived paradigmatic conflict within British classical economics between the so called 'Ricardo School' and the contemporary French Economics of Jean-Baptiste Say.