Eternal Sunshine of the Spotless Mind: The Shooting Script (Newmarket Shooting Script Series)

In this illuminating script book, Charlie Kaufman, the Academy Award®-nominated screenwriter of Being John Malkovich and Adaptation, shares the logistical challenges of writing Eternal Sunshine of the Spotless Mind in a fascinating interview.

Kaufman also provides commentary on stills from the movie, revealing remarkable details about the editing process, set construction, and shooting techniques that were used to tell this unconventional story.

In the film, Joel ( Jim Carrey) is stunned to discover that his girlfriend Clementine (Kate Winslet) has had her memories of their tumultuous relationship erased. Out of desperation, he contacts the inventor of the process, Dr. Howard Mierzwiak (Tom Wilkinson), to have Clementine removed from his own memory. But as Joel's memories progressively disappear, he begins to rediscover their earlier passion. From deep within the recesses of his brain, Joel attempts to escape the procedure.As Dr. Mierzwiak and his crew chase him through the maze of his memories, it's clear that Joel just can't get her out of his head.The movie stars Jim Carrey, Kate Winslet, Kirsten Dunst,Tom Wilkinson, Elijah Wood, and Mark Ruffalo.

In the acclaimed Newmarket Shooting Script® format, the book includes an introduction by director Michel Gondry (Human Nature), a facsimile of the script, a Q&A with Kaufman, a selection of black-and-white movie stills with commentary, and the complete cast and crew credits.

Customer Reviews:

Eternally spotless

By E. A Solinas "ea_solinas" - June 26, 2005

"Eternal sunshine of the spotless mind!/Each pray'r accepted, and each wish resign'd... Desires compos'd, affections ever ev'n,/Tears that delight, and sighs that waft to Heav'n." The original Alexander Pope poem suits the movie whose title it inspired, "Eternal Sunshine of the Spotless Mind," a unique, surreal film about memories, love and sorrow.

"Eternal Sunshine of the Spotless Mind" deals with timid, conservative Joel, who bumps into ex-girlfriend Clementine at a store -- and finds she doesn't remember him. He finds a notice in his mail that she has had him erased from her memories, and angrily decides to have the same done. But during the procedure, Joel revisits the good times they had together, and finds that he doesn't want to lose his memories with Clementine.

This movie, by Michel Gondry and Charlie Kaufman, was one of the best of 2004, and one that isn't quickly forgotten. The screenplay is an excellent accompaniment; if there is a line or an image... read more

Thought provoking and truly original

By Isadore Ann - January 18, 2005

This was a movie I didn't expect to like. I hadn't heard that much about it and wasn't all that enthusiastic about seeing another Jim Carey movie. Boy, was I pleasantly surprised.

First of all, this movie is truly original. That's rare these days. It revolves around the premise that you can erase someone from your memories. In this case, the "someone" to be erased is Kate Winslet's character of Clementine. She is wacky and artsy, and plays against Carey's straightlaced character Joel perfectly. I had just seen an interview with Winslet before this movie and was amazed at her accurate American accent. Very well done.

And Carey is brilliant. His toned down, not over the top portrayal of Joel was delightful and wonderful. This is the first time I actually thought of Carey as a very good actor. Both Carey and Winslet deserve an Oscar for this film.

In addition, the film is beautifully shot as well. This could have been a very goofy movie, with... read more

Eternal Intrigue of the Spotless Screenwriter

By Wanton Boy - April 24, 2004

By fusing his already proven intellectual prowess with a warm, beating heart, Kaufman has devised his most affecting work yet.On its own terms, this is a lovely read - a rare screenplay that attains the readability of great fiction, rich as it is with deeply flawed, loveable characters. When compared to the Michel Gondry film it spawned, this truly reveals itself as a catch. The opportunity to study two media, two auteurs at the top of their game, and one heartbreaking story told in two strikingly different but profoundly similar ways is one rarely afforded to the movie lover; take it while you can. If the box office is any indication, it may soon be but a memory... read more