(Book). Acquired wisdom has always put Sgt. Pepper at the head of the class, but it was Revolver that truly signaled The Beatles' sea change from a functional band to a studio-based ensemble. These changes began before Rubber Soul but came to fruition on Revolver , which took an astonishing 300 hours to produce, far more than any rock record before it. The making of Revolver hunkered down in Abbey Road with George Martin is in itself a great Beatles story, but would be nothing if the results weren't so impactful. More than even Sgt. Pepper and Pet Sounds , Revolver fed directly into the rock 'n' roll zeitgeist, and its influence could be heard everywhere: from the psychedelic San Francisco sound (Jefferson Airplane, Grateful Dead); to the first wave of post-blues hard rock (Sabbath, Zeppelin); through movie soundtracks and pretty much everything that followed it including every generation of guitar-based pop music and even heavy metal. More than any record before or after, Revolver was the game-changer, and this is, finally, the detailed telling of its storied recording and enormous impact. Winner of the 2013 ARSC Award for Best Research in Recorded Rock Music: Best History.
By S Riaz "S Riaz" - June 10, 2012
Without doubt "Revolver" is my favourite Beatles album, so I was intrigued to read this book looking at the making of an album the author puts above "Sgt Pepper" - usually cited as the bands high point. Rodriguez asserts that although Pepper is usually considered the apex of the Beatles creativity, it is actually "Revolver" that is the artistic high water mark - a true group collaboration which pushed the studio's technological limits as far as they could go.
1966 saw the band coming to the end of their touring life (it would later end with the "bigger than Jesus" comment and the chaos that was the Phillipines). However, what allowed the band to actually settle into the studio and create music without pressing time commitments was the lack of agreement of a third feature film, for which Brian Epstein had blocked out three whole months for shooting. Finding themselves without a script, they were left with the space they needed to create a masterpiece. John and Paul were at... read more
A classic dissected
By William B. Bowman - May 13, 2012
Robert Rodriguez's Revolver: How the Beatles Reimagined Rock `N' Roll casts a wide net over a singular moment in the history of the Beatles and he does it well. Much as Mark Kurlansky did in 1968 Mr. Rodriguez weaves social, cultural and musical context in a wonderful tapestry that enlightens beyond the surface of the ostensible event.
The book is basically divided into three parts: Pre-Revolver, the making of Revolver and post-Revolver. In the pre-Revolver chapters Mr. Rodriguez gives a clear picture of the musical, cultural, and social landscape of the day and he does this without patronizing a less than avid fan nor dumbing it down for the crazed fan (such as myself). He takes pains to establish the relationships the Beatles had with their peers, the public and their team behind the scenes (George Martin, Geoff Emerick, et al). In the making of Revolver section he gives us a careful analysis of each song both in the creation of the individual songs (whether writing... read more
A SUPER READ AGAIN
By NIEMSONG - May 17, 2012
Robert Rodriguez has hit another home run here with his book REVOLVER! I have always been amazed at the talent of THE BEATLES but I am also amazed how in depth of a read all of Robert's books are pertaining to them and their music. He takes you right back to that precious time when 4 young musicians had more insight and ability than any band had a right to have and focuses on the magic of their music and their thought process. No kidding, when you read REVOLVER you are right there with THE BEATLES in the studio for the music ride of your life and it is their peak time for them indeed with REVOLVER! One master piece written after another was their per usual output! One can never get enough BEATLE MUSIC and this book adds to the experience greatly! Thanks Robert!
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