Adam Bradley- Online Portfolio

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Pasta Packaging

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Thatere Poster

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at Proud celebrates the vanguard of a new fashion
generation. Heralding the stars of tomorrow, is
instrumental in raising the profile of new British designers.
7.30 for an 8pm start.
HOME
Designed by Tracey Neuls
Contact: +44 (0)20 7935 0039
www.traceyneuls.com
Unadulterated creative play is truly only found as a child. For Tracey Neuls and Nicola Yeoman, design
is rooted in this emotional freedom. Together, the pair have rekindled the innocence explored in
their architectural makings as children. An emotive explosion personal to the lives and work of both
designers, Home plays with perspective and form.
Stockists: Bread and Honey 020 7253 4455, Jezebelle 020 7935 7109,
Hoxton Boutique 020 7684 2083
ARCHIVE
Designed by Christophe Sawhney
Contact: +44 (0)20 7834 0124
www.springprojects.co.uk
Spring Projects presents Archive, a exhibition of work by Christophe Sawhney. Archive will showcase
Sawhney’s explorations into the body, movement and voyeurism and highlight his fascination with form
and process.
Stockists: Hub 020 7254 4494, Twentyone the Green 020 8882 4298,
Santos & Mowen 020 7836 4365, Start 020 7739 3636
HOLD THAT THOUGHT
Designed by Lee Klabin
Contact: +44 (0)20 7613 1111
www.leeklabin.com
The hidden desires of femininity are exquisitely expressed through Lee Klabin‚ Autumn/Winter 2011
Collection. Explorations in texture and tailoring with inspiration drawn from Reflections From Within
Nothing in life is to be feared it is only to be understood Marie Curie.
Stockists: Beyond The Valley 020 7437 7338, Comfort and Joy 020 7359 3898
UNTOLD
Designed by Rashmi Shastri
Contact: press@un-told.co.uk
London Fashion Week 2011
www.un-told.co.uk
A Pandora’s Box of fashion, jewellery and art bursting at the seams with a colourful array of creative
and directional fashion and accessories.
Stockists: Beyond The Valley 020 7437 7338, Bread and Honey 020 7253 4455,
Twentyone the Green 020 8882 4298
CABINET
Designed by Gemma Critchley and Zara Braganca
Contact: (+)44 (0)79 6640 1228
www.cabinetstudios.co.uk
Tropical ornithology meets Brigi e Bardot. The designs have botanical undertones flashes of sun-
bleached brights cascade onto faded neutrals - whilst colonial militaria prompt historical references
and timeless legends.
Stockists: Bread and Honey 020 7253 4455, KJ’s Laundry 020 7486 7855, Shoon 020 7487 3001
LOLA ROSE
Designed by Nicola Gerwitz
Contact: roger@lolarose.co.uk
www.lolarose.co.uk
Inspired by Nikki’s childhood family holidays spent on the shores of the English coast, the collection
concentrates on strong motifs such as florals, hearts and beautiful, tactile shapes.
Organisers
Stockists: Jezebelle 020 7935 7109, Labour of Love 020 7354 9333
Project Manager: Robert Last
Music Director: Christopher Blom
Choreographer: Shelly Lasica
Lighting Directors: Tim Hall, Tim Newman
Production: Rough Magic
Voiceover: Karen Webster
Stylist: Virginia Dowzer
Publicity: Isadore van Camp for Press Girl
Make Up: PowderPuff Girls
Graphic Design: Adam Bradley
Hair: Alexander Clarke at Ethos
Marketing: Jo Naish
For more information visit
Models: Chadwick Management

www.londonfashionweek.co.uk/mark
Fashion Event Brochure
London Fashion Week 2011
L
ondon
eek 2011

W
F
ashion
ashion

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Fashion Event Website

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Cement Town
Report by Hans Loos
Magazine Cover and Spreads
!"
Cement Town
!#
Cement Town is a small suburb of the East Siberian industrial city of Angarsk. In the late 1940s, 60,000 of Stalin’s prisoners
erected Siberia’s largest industrial complex. The prison camps still stand among the smoking chimneys of the petrochemical
industry. Angarsk was a city of criminals, forced labourers and communist bruisers. Sixty years on, it still has a reputation as
a banditski gorod, a city of bandits. Most Angarskians are proud of their city, however. They call it the ‘Leningrad of Siberia’,
because the severe, imperial architecture is said to be based on St Petersburg’s city planning.
We don’t need much to tur
!
n this place into something beautiful
"
a One of Angarsk’s rst neighbourhoods was ‘nothing more than junkies and shit artists!’ If On our second visit to Cement Town, we
the Cement Workers’ Town. It is located far a ght is reported, the police do not respond. decide to go without protection. We have
nstr from the centre and comprises 53 two-storey
an appointment with DJ Artyom. During the
apartment blocks, which literally stand in the Everyone advises us not to go there, week, Artyom works at the shunting yard of
b Hor shadow of the enormous cement factory. It particularly at the weekend, when there the local railway. At the weekend he is a DJ at
was a Stalinist model village, complete with is a disco at the cultural centre. We take the cultural centre. He has to laugh about all
y Ro pompous cultural centre and three-tiered the warnings to heart and nd a trio of the things that are said about Cement Town.
fountain on the high street. The inhabitants bodyguards willing to accompany us on an ‘Of course there are some shady characters
h
y b of Cement Town once lived to the rhythm of evening out in Cement Town. Leading the here. And things happen, you know. But I know
p the factory bell. There was work, the children group is Dmitri, a police o cer who would everyone and what they are all up to. I make
r
a went to school and a social services system later style himself as ‘the Brain’. He calls his sure they don’t mess with my equipment.’
t
og took care of basic needs. But in the 1990s, colleague, Valeri, ‘the Eyes’ and the ex-
everything fell apart. Rival clans fought soldier, Slava, is ‘the Pitbull’. Before we go He reckons on a crowd of about 30 people
relentlessly for control of the cement factory. in, we drain a bottle of vodka at the edge on Friday nights, twice as many on Saturdays,
The most di cult years were 1996–1998. The of the village. On the boot of the car, Valeri when the kids from the nearby village,
factory was plundered and bankrupted. slices bread and bacon and Slava shows Kitoi, turn up. Entrance costs 50 Rubles,
Cement Town inhabitants were le to their us lms on his mobile, which he recorded about USD1.50. He invests his pro ts in new
own devices.
himself during his tour of duty in Chechnya. equipment. He hopes to be able to save
Our bodyguards are small but sturdy fellows.
enough for a professional set. His biggest
Today, the chimneys of the factory have
y Hans Loos | Pho
dream is to play in other cities and most of all,
started to smoke again, but Cement Town They instruct us that if things turn nasty, we of course, abroad.
ds b residents have seen little of the new economic should make our escape as quickly as possible
or prosperity. Cement Town has been written o , in the car. They will handle the rest.Once we He expects nothing from the government
W the neighbourhood erased from the balance are inside the cultural centre, such a scenario of the cement factory. In fact, he would
sheet. Many people have le . Vagrants seems unlikely. A few giggly teenagers hang rather be le alone. ‘But still, it would be
occupy the empty ats, the primary school around the entrance and on the dance great, of course,’ Artyom fantasises. ‘We
has burned down and almost no one works
oor, everything looks amicable. Most of don’t need much to turn this place into
in the factory anymore. Back in the centre the crowd is made up of girls, and they are something beautiful. Look at it already. We
of Angarsk, they call Cement Town a ‘no-go busy dancing. It is almost a disappointment. did all of this ourselves.’
area’. As for the suburb’s residents, they are Perhaps the bandits will turn up later?

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Book Jacket

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Adam Bradley
Mobile: 0403181045
E-mail: adam.bradley@live.com.au

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