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Miracle deliverance - PUPPeTs ~ PaGans~ and chrisTianiTY

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Pagans and eastern religious system use puppets to train their children. Also wizards and witches employ puppets as a means to reach children. Christians are supposed to use the Bible. Images have spiritual power because demons love to inhibit idols and then they will draw humans to the idol to receive worship. Children's games and books are jam-packed with demonic influence (D&D, Harry Potter, and The Chronicles of Narnia) and possible sources are dolls, toys, puppets, and stuffed animals.
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Content Preview
Miracle deliverance
POWer OF idOlaTrY ~ children OF The beasT
PUPPeTs ~ PaGans~ and chrisTianiTY
Power of the Word PaT hOllidaY, Ph.d.
• hTTP://PaThOllidaY.cOM/dlGUard/carT/index.PhP?acTiOn=desc&Pn=11&c=1&PaGe=

Okay . . . Okay, so I’ll admit it. I am now old. I only admit it to tell you this. I actually remember when the
Christian Church began
to open up to receive the

http://patholliday.com/dlguard/cart/index.php?action=desc&pn=11&c=1&page
puppet ministry. Shock
=
waves rippled through
Puppets have always been rooted in pagan and eastern religion such as
many church halls and
Hinduism,
Indonesia
China
and
around
the
world.
Christian people could not
believe that pastors would
allow such paganism to
enter into the house of
God!

Puppets have always
been rooted in pagan
and Eastern Religion~
and
witchcraft.
Christianity is founded
upon the basis of the
Bible and the life of
Jesus Christ.
Wayang
is
an
Indonesian/Malay word
for
theatre
(literally
"shadow"[1]) When the
Wayang Kulit (shadow puppet) in Wayang Purwa type, depicting
term is used to refer to
five Pandava, from left to right: Bhima, Arjuna, Yudhishtira, Nakula,
kinds of puppet theater,
and Sahadeva, Museum Indonesia, Jakarta.
sometimes the puppet
itself is referred to as
wayang. ", the Javanese
h
t p:/ w w.pathol iday.com
Page 1

word for shadow or imagination, also connotes "spirit." Performances of shadow puppet theater are
accompanied by gamelan in Java, and by "gender wayang" in
Bali.1

PAGAN~ WITCHCRAFT AND PUPPETS
Pagans and eastern religious system use puppets to train
their children. Also wizards and witches employ puppets
as a means to reach children. Christians are supposed to
use the Bible. Images have spiritual power because
demons love to inhibit idols and then they will draw
humans to the idol to receive worship. Children’s games
and books are jam-packed with demonic influence (D&D,
Harry Potter, and The Chronicles of Narnia) and possible
sources are dolls, toys, puppets, and stuffed animals.
Occult, witchcraft and
The pagans make billions from the images after they
magic
release
their
demonic
occult,
fantasy
movies.
MacDonald’s and other hamburger stores buy them to
distribute to the children to bring home. Many children experience great spiritual oppression
because of these demonic images in their rooms.
Pagan and Occult Practices are Spiritual and Dangerous.
Satan and his evil demons are also manipulators of the occult, witchcraft and magic. King
Saul was rejected by God and died because he sought after prophecies from a witch. "For
rebellion is as the sin of witchcraft, and stubbornness is as iniquity and idolatry. Because
thou hast rejected the word of the LORD, he hath also rejected thee from being king," (1
Sam 15:23). Many in the Church will perish because of a lack of knowledge. Many do not
understand what the occult is and the results of participation in it.

SUGGESTIONS FROM A WITCH ~ PUPPETS
“Pagans have many puppets honoring (Goddess as the Mother, the God as the Father, and
of their gods or goddess children) or the child in all of us. Here are some activities to help
Pagan Parents include their small children in the celebration. The information below is
excerpts taken from a witch’s web site teaching children about puppetry:

Earth Puppets ~Materials: Use natural items found in the yard, tape, and glue.
Puppets can be made from a twig. Select a twig that forks. You now have 2 arms and a
handle to hold the puppet with. Find a fallen flower, and tape the stem to the handle for the
head. You can also tape the stem of a fallen leaf to the handle for the head. For clothing,
wrap a leaf around the handle, and your puppet has natural summer wear.

h
1
http://en.wikipedia.org/wiki/Wayang
t p:/ w w.pathol iday.com
Page 2

Pine cone. Glue the pine cone to the forked twig, for the head. Dried and fresh grass makes
loads of hair styles, beards, and mustaches. Use seeds or small rocks for eyes, nose, and
mouth. Make clothing out of leaves and bonnets out of flower petals or acorn caps. Use a
large box or table for the stage, and enjoy the show.
Vegetable Tray Puppets ~
Large carrots, popsicle sticks, cream cheese, raisins or olives, celery, parsley, green beans,
radishes, cauliflower buds, broccoli buds, cucumber spears, any other desired vegetable,
and cheese slices.
Treasure Boxes Sturdy cardboard box, natural items for decoration, white glue, and med-
size paint brush. This little box is for the youngster to collect "treasured" memories from
summer. Start with a large shoe box and lid. Let the child collect some items from the yard,
the park, and/or the beach. Glue flat items to the box, and place the non-flat items inside.
To give the box a more durable finish, brush on a coat of white glue diluted with water.
Encourage the child to tell stories of where the different items came from, or make up
stories about the contents. Wheelbarrow Planter 1 plastic detergent scoop, 2 large brightly
colored buttons, white glue, 1 cup potting soil, seeds. Take the plastic detergent scoop and
poke a couple of small holes in the bottom (adults only!) with a nail or a needle. Let each
child pick out two brightly colored buttons for the wheels. Glue wheels onto the sides of the
scoop so that it sits at an angle. Once the glue has dried, let the child pour 1/2 cup of
potting soil in the scoop, place in a couple of seeds around the sides of the scoop, and pour
in the rest of the soil. Slowly add water to the soil until soaked through. Place on small dish
in sunny spot. Watch the new life grow from the seeds and spring forth from the soil just as
life springs forth from the Goddess.

“For in the eighth year of his reign, while he was yet young, he began to seek after the God of
David his father: and in the twelfth year he began to purge Judah and Jerusalem from the
high places, and the groves, and the carved images, and the molten images,”
(2Chron. 34:3).
The above scripture reveals that when children are taught the
truth, they can make proper decision to do it.
Parents do you realize that you could subject your children to
fall under a curse of those who use deceit, (Jer. 48:10)?
Revelation Chapter 13 says the image will speak . . . Could
puppetry be preparing Christian children to receive the
Antichrist and the mark of the beast; it’s happening in our
Christian Churches?
The Bible speaks of the danger of ignorance in God's people
(Hosea 4:6) and how risky it is even to bring things God
Wayang shadow-puppet
classes as abomination into our homes Deuteronomy 7:25,26,
(Bali, early 20th century)
Unfortunately, our generation is so ignorant of God's Word

that it has been quite simple for Satan to attack us, almost at
will.
h
t p:/ w w.pathol iday.com
Page 3

SHADOW PUPPETS
UNESCO designated Wayang Kulit, a shadow puppet theater and the best known of the
Indonesian wayang, as a Masterpiece of Oral and Intangible Heritage of Humanity on 7
November 2003. 2
Ex. 20:4-6m : “Thou shalt not make unto thee any graven image, or any likeness of any
thing that is in heaven above, or that is in the earth beneath, or that is in the water under
the earth: 5 Thou shalt not bow down thyself to them, nor serve them: for I the Lord thy
God am a jealous God, visiting the iniquity of the fathers upon the children unto the third
and fourth generation of them that hate me; 6 And shewing mercy unto thousands of them

that love me, and keep my commandments.” KJV
Satan can have an entrance to your spirit only if you open a
door. You open the doors to your children’s lives when you
allow them to go, see or watch things that you should protect
them from experiencing such as, fantasy, horror movies and
occult television … However, this article concerns puppets
and marionettes and dolls. The Lord warned his people
concerning the power behind images in His Word.
History of Wayang Kulit

Wayang is a generic term denoting traditional theatre in
Indonesia. There is no evidence that wayang existed before
Hinduism came to Southeast Asia sometime in the first
century CE. However, there very well may have been indigenous storytelling traditions that had
a profound impact on the development of the traditional puppet theatre. The first record of a
wayang performance is from an inscription dated 930 CE which says "si Galigi mawayang," or
"Sir Galigi played wayang". From that time till today it seems certain features of traditional
puppet theatre have remained. Galigi was an itinerant performer who was requested to perform
for a special royal occasion. At that event he performed a story about the hero Bhima from the
Mahabharata.3
Hinduism arrived in Indonesia from India even before the Christian era, and was slowly adopted
as the local belief system. Sanskrit became the literary and court language of Java and later of
Bali. The Hindus changed the Wayang (as did the Muslims, later) to spread their religion, mostly
by stories from the Mahabharata or the Ramayana. Later this mixture of religion and wayang
play was praised as harmony between Hinduism and traditional Indonesian culture. On Java, the
western part of Sumatra and some smaller islands traditionalists continued to play the old stories

2
http://en.wikipedia.org/wiki/Wayang
h
3
Ibid
t p:/ w w.pathol iday.com
Page 4

for some time, but the influence of Hinduism prevailed and the traditional stories either fell into
oblivion or were integrated into the Hinduistic plays.4
The figures of the wayang are also present in the paintings of that time, for example, the roof
murals of the courtroom in Klungkung, Bali. They are still present in traditional Balinese
painting today.
When Islam began spreading in Indonesia, the display of God or gods in human form was
prohibited, and thus this style of painting and shadow play was suppressed. King Raden Patah of
Demak, Java, wanted to see the wayang in its traditional form, but failed to obtain permission
from the Muslim religious leaders. As an alternative, the religious leaders converted the wayang
golek
into wayang purwa made from leather, and displayed only the shadow instead of the
figures itself.[citation needed] Instead of the forbidden figures only their shadow picture was
displayed, the birth of the wayang kulit.[citation needed]
The figures are painted, flat woodcarvings (a maximum of 5
to 15 mm thick -- barely half an inch) with movable arms.
The head is solidly attached to the body. Wayang klitik can
be used to perform puppet plays either during the day or at
night. This type of wayang is relatively rare.
Wayang today is both the most ancient and most popular
form of puppet theatre in the world. Hundreds of people
will stay up all night long to watch the superstar performers,
dalang, who command extravagant fees and are
Wayang kulit as seen from
international celebrities. Some of the most famous dalang in
the shadow side
recent history are Ki Nartosabdho, Ki Anom Suroto, Ki
Asep Sunarya, Ki Sugino, and Ki Manteb Sudarsono.

Wayang kulit
Wayang kulit, shadow puppets prevalent in Java and Bali in Indonesia, are without a doubt the
best known of the Indonesian wayang. Kulit means skin, and refers to the leather construction of
the puppets that are carefully chiseled with very fine tools and supported with carefully shaped
buffalo horn handles and control rods.5
The stories are usually drawn from the Ramayana, the Mahabharata or the Serat Menak. The
island of Lombok has developed its own style of Serat Menak called "kazangiloonga".6

4
ibid
5
ibid
h
6
ibid
t p:/ w w.pathol iday.com
Page 5

There is a family of characters in Javanese wayang called Punakawan; they are sometimes
referred to as "clown-servants" because they normally are associated with the story's hero, and
provide humorous and philosophical interludes. Semar is the father of Gareng (oldest son),
Petruk, and Bagong (youngest son). These characters did not originate in the Hindu epics, but
were added later, possibly to introduce mystical aspects of Islam into the Hindu-Javanese stories.
They provide something akin to a political cabaret, dealing with gossip and contemporary
affairs.7
The puppets figures themselves vary from place to place. In Central Java the city of Surakarta
(Solo) is most famous and is the most commonly imitated style of puppets. Regional styles of
shadow puppets can also be found in West Java, Banyumas, Cirebon, Semarang, and East Java.
Bali produces more compact and naturalistic figures, and Lombok has figures representing real
people. Often modern-world objects as bicycles, automobiles, airplanes and ships will be added
for comic effect, but for the most part the traditional puppet designs have changed little in the
last 300 years.\Historically, the performance consisted of shadows cast on a cotton screen and an
oil lamp. Today, the source of light used in wayang performance in Java is most often a halogen
electric light. Some modern forms of wayang such as Wayang Sandosa created in the Art
Academy at Surakarta (STSI) has employed spotlights, colored lights and other innovations.
The handwork involved in making a wayang kulit figure that is suitable for a performance takes
several weeks, with the artists working together in groups. They start from master models
(typically on paper) which are traced out onto kulit (skin or parchment), providing the figures
with an outline and with indications of any holes that will need to be cut (such as for the mouth
or eyes). The figures are then smoothed, usually with a glass bottle, and primed. The structure is
inspected and eventually the details are worked through. A further smoothing follows before
individual painting, which is undertaken by yet another craftsman. Finally, the movable parts
(upper arms, lower arms with hands and the associated sticks for manipulation) mounted on the
body, which has a central staff by which it is held. A crew makes up to ten figures at a time,
typically completing that number over the course of a week.
The painting of less expensive puppets is handled expediently with a spray technique, using
templates, and with a different person handling each color. Less expensive puppets, often sold to
children during performances, are sometimes made on cardboard instead of leather. 8
SATAN THE GREAT UNSEEN INSTIGATOR
Satan is the great, unseen instigator of every sin and darkness of the heart. However, you
must walk in agreement with him. “Lest Satan should get an advantage of us: for we are
not ignorant of his devices,” (2 Cor. 2:11).

Christian parents will give an account to God concern their handling of their children
God expects spouses to love and respect one another. God expects parents to set godly


7
ibid
h
8
ibid
t p:/ w w.pathol iday.com
Page 6

examples for their children to follow. God expects parents to love their children. God
expects parents to teach their children according His admonitions. God expects parent to
discipline their children in a godly manner.

Understand the Word.
“ For the heart of this people is waxed gross, and their ears are dull of hearing, and their
eyes have they closed; lest they should see with their eyes, and hear with their ears, and
understand with their heart, and should be converted, and I should heal them,”
(Acts
28:27).
Obey his voice and His word.

“For the time is come that judgment must begin at the house of God: and if it first
begin at us, what shall the end be of them that obey not the gospel of God?” (1 Pet. 4:17).
Recently a couple brought their three children to our
church seeking for deliverance. One of the children was
seeing spirits at his window and entering his room at
night. Another child was extremely rebellious while the
third child was extremely withdrawn.
This couple was the teachers of children’s church. They
were puppeteers and also guilty of taking their children’s
class to see Harry Potter and The Chronicles of Narna.
They acted surprised when I told them that their children
were spiritually being affected by these demonic movies
and the puppets. We ministered deliverance to their
children. They children manifested revealing demonic
presence and received deliverance.

Yet, most of your Christian Churches in America have
trained puppet ministers that teach your children through
these demonic means.
TESTIMONY OF CHRISTIAN EX-PUPPETEER
The deliverance of Henry Boyce (not his real name) from the occult practices of puppeteer,
ventriloquism and magic (all in the name of Jesus) is a testimony to the Lord Jesus and the
freedom from the works of darkness that is ours by His shed blood
Henry, a television producer and director, tells of his former craft: ‟It is an abomination to God
from people to be hypnotized, because this is turning your will over to another person. Our will
should only be turned over to the Lord Jesus Christ.

‟While I never practiced hypnotism per se, I was a professional. I was slick. I had it down
h
pat. I knew ever nuances, every gesture, every facial expression needed to make those children
t p:/ w w.pathol iday.com
Page 7

laugh, cry, respond, go ‟oo”or go ‟Ah.” I basically had them hypnotized. I knew exactly how to
manipulate them and to get them to do, say or react the way that I wanted them to. I was a pro.
And I know now that to manipulate tender young, impressionable spirits have to be an
abomination to God.”

A friend told Henry that God was offended by his
puppet ministry to children. She told to call him Rev. Irene
Park, a former witch, and she would tell him the truth about
demonic source of puppets. Rev. Park told him that it was
very demonic because demons possessed the puppets to talk
and draw the children to them.
At first, Henry did not want to believe it. After all, this was
the way that he supported his family. He had appeared with
some of the biggest television ministries in the Country. “I
blinded Rev. Park’s message about puppets out of my mind
because I really did not want to believe her.”I started doing
a study on holiness: true, right holiness; righteousness and
purity of a walk before God. I began to prepare teaching, a
series on holiness. As I began to pray and fast, and as I

stated allowing the Holy Spirit to purify me, to cleanse me
of things that I knew needed to be purged; my heart attitude
was one with God, show me whatever there is in me that needs to come clean.
”Having my heart open to the Holy Spirit, waiting to hear from God, having fasted and prayed,
seeking the face of God and the will of God; He brought me to Habakkuk.2: 19 where it says,
‟Woe unto him that saith to the wood, Awake to the dumb stone, Arise, it shall teach.” The
scripture came alive to me and the Holy Spirit convicted me that this strange power was a
wall between us. He showed me my dark heart.”

This convinced me that sorcery, ventriloquism, and magic it is working in puppetry; full of
deception and who is the father of lies? How can we use deception to teach truth, I questioned?
Jesus said, ‛Suffer the little children to come unto Me’ not unto a muppet, a puppet, a dummy.
He doesn’t need a dummy to speak through. He has you and me to preach His gospel.”
“I called the Late Irene Park and asked her what I should do? She informed me that I should
burn the puppet dolls. Well, to my great shock, when I threw the first puppet into the flames, its
face began to twist as it melted in the fire. The flame turned blue and I heard a moaning,
terrorizing cry! A cold fear made the hair on my neck stand up. I really wanted to run because I
felt there was some else present that was terrifying. I prayed and continued my task of burning
the puppets. Finally, as I burned the last one, a bloodcurdling scream arose from the fire. I knew
then, beyond a shadow of doubt that Rev. Park had told me the truth, that is, there are demons
that dwell in those puppets.”
“I truly repented for all that I had done to those children and ask God to forgive me and deliver
h
the children from the powers of evil that they had received. I felt the Holy Spirit wash over me
t p:/ w w.pathol iday.com
Page 8

with his fresh living water and sanctify me. My hope is, that pastors around the world will see
my testimony and repent and get those demonic puppets out of their children churches and grab
the Bible and teach them the true Word of God.”
Henry goes on to say, “The Word of God says in II Corinthians 2:11, ‘Lest Satan should get an
advantage of us for we are not ignorant of his devices.’
Satan has the advantage when he knows
those who are not rooted and grounded in the Word are teaching Christians.”
Henry goes on to say, ‟The Holy Spirit has taught and shown me much on the subject of
ventriloquism, I did quite a bit of magic just little sleight of hand tricks but they were all
illusions and deceptions. I even did teachings on the deceptions so that I could convince the boys
and girls that it was just fun and that there was nothing wrong with it. But, now I know that I was
deceived and deceiving the pastors, parents and children.
“Many are small children or new born babes in Christ. I knew they were ignorant of Satan’s
wiles and did not know his deceptions; those people were easy targets. I knew that there is a
spiritual shallowness among the unsuspecting, the unlearned and those who have no foundation
in the things of God; I also knew those who dic not have deep roots, (Mark 4:16, 17) so it was
easy to fool them, He goes about as a roaring lion ‟seeking whom he may devour,” (I Pet. 5:8).
It was easy to capture their imaginations and finances.”
A close friend of mine told me that puppets in the church were offensive to God. Of course, I
argued with her. I told her that puppets were in every church in the country. How can you say
that every pastor is wrong? As I fasted and prayed, the Lord convicted me of my sins and
deception of the children.”
Henry’s friend was also a friend of mine. She had heard me speak concerning pastors who were
opening the minds and spirits of Christian children to the powers of darkness because of
puppetry. When she told me about Henry, I gave her Rev. Irene Park’s book on Puppetry. At this
time, to my knowledge, there were two women trying to warn the church pastors of the dangers
of puppet, Pat Holliday and Irene Parks. Our message fell on deaf ears then and I’m certain that
it will today.
I remember Rev. Park came to Jacksonville to preach in one of the biggest Charismatic churches
in town. The pastor told her, you can put all your books on the book table, but I forbid you to put
your book on puppetry on the table because we have a puppet ministry in our church. I wonder
how many young people were blinded because this pastor was spiritually closed to the truth and
blinded by the powers of hell.
Henry says that he prayed and fasted and the Holy Spirit showed him the truth. He confesses
that he had to receive "deliverance from evil Spirits.”When the Lord commanded that "no
graven images,”
were to be made, He wasn't being cruel and heartless. He knows the damage
they could cause. (Exo. 20:4).

h

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Page 9



WHAT IS A PUPPET?
Puppets originate from the Latin word ‛pupa’ which means
doll and usually a jointed representation of a human, an
animal or an abstract figure that can be manipulated to give
an illusion of life. Marionette, operated by strings, comes
from the French, meaning ‛little Mary’ and is traditionally
derived from the use of such figures in medieval sacred
dramas. 2
Indonesian puppets and
Puppets are also defined as ‛Animated from above by
puppeteer
strings or wires,” having a hollow heads, designed to be
manipulated,” a toy representing a human figure,” or ‟one
whose behavior is determined by the will of others, sponsored or controlled by another or other
while professing autonomy.”
Puppets speak of deception manipulation, imitation and the use of one’s voice and one’s will to
control an inanimate object. Puppets See Psalms 115:4-8 and Habakkuk 2: 18-20; Isaiah 8: 19;
19: 3; Leviticus 19:31; 1 Samuel 28:9; 11 Chronicles 33:6;
9 The culture of Indonesia has been shaped by a long process of interaction and acculturation
between original indigenous customs and a myriad of foreign influences. As Indonesia is located
in the middle of ancient sea trading routes between Far East and Middle East, much of daily
practices and art forms have been influenced by Hinduism, Buddhism, Confucianism and Islam,
especially in many trading cities. Sometimes the cultural mixture is very complex and has to be
distinguished from the original.
Puppets, objects used as characters in theatrical performances. Audiences perceive life and spirit
from their movement, their shape, and other aspects of their performance. Gifted puppeteers
(puppet operators) can bring to life even apparently ordinary objects such as bricks,
handkerchiefs, spoons, or tennis balls. There are many kinds of puppet performances. Some
puppetry is technically very simple, while some is remarkably complicated. Technical
complexity is only one element of a performance, however; other components of puppet
performances include character, theme, plot, movement, and design.10

2
Academic American Encyclopedia, Vol # 15, pp. 626-27
9
Permission is granted to copy, distribute and/or modify this document under the terms of the GNU Free Documentation License,
Version 1.2 only as published by the Free Software Foundation; with no Invariant Sections, no Front-Cover Texts, and no Back-Cover Texts. A
h
copy of the license is included in the section entitled "Text of the GNU Free Documentation License."
10
http://encarta.msn.com/encyclopedia_761553522/puppets.html
t p:/ w w.pathol iday.com
Page 10

Document Outline

  • History of Wayang Kulit
  • Wayang kulit
  • Puppet History
  • Puppet history

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