Our drama stuff

Script
so
far

Scene
One
–
Tableau

• Gab
as
puppet,
Liam
as
puppeteer
sitting
on
Edney
and
James,
Anna
curled
up
on
floor,

right
‐
freeze

• Liam
brings
Gab
to
life,
whispers
in
ear
“and
your
father
was
Duke
of
Milan,
and
you
his

only
heir”,
Gab
repeats
while
being
control ed
by
Liam
pointing
at
Anna,
neutral
puppet

again

• A
reacts
and
pushes
L
off
E
&
J
(L
fal s),
taking
control
of
puppet
and
brining
to
life.

• A
starts
saying
line
“and
i’
the
dead
of
the
darkness”,
G
finishes
line
“we
were
dragged

and
hurried
thence,
exiled,
me
and
thy
crying
self”
whilst
drags
L
across
to
right,
being

control ed
by
A

• Freeze

Transition

• A
unfreezes
as
Ariel,
pul s
out
crown
and
places
on
herself
daintily,
looks
around

contently

• Casts
spel 
on
one
of
us
(or
audience)

• Al 
col apse
from
positions
–
run
into
scene
2
positions

Scene
Two
–
Prospero’s
story

• G
L
A
at
front
left,
E
crouched
behind,
J
right
back
crouched

• Lines
are
animated
+
story‐time
like,
actions
are
exaggerated
(except
for
james’
line)

Gab

Anna

Liam

James

Edney

Twelve
years
since,
Miranda,
twelve
years
since,
They
father
was
Duke
of
Milan

Crouching

Crouching

Stand
silent,
head
down

Stand
silent,
head
down

and
a
prince
of
power

Stands,
wearing
crown

crouching

(After
anna)
thy
uncle,

My
government
I
cast

head
down,
silent

Gesture
to
E,
put
crown
on

Rise,
walk
to
J,
kneel

cal ’d
Antonio

upon
my
brother,



head,
face
other
way

Run,
stand
behind
E
as

Run,
stand
behind
E
as

Thy
uncle
built
a
treacherous

oblivious

‘Summon’
army

soldier

soldier

army

Run
‘under
gate’,
silence
J,

Run
‘under
gate’,
silence
J,

And
one
midnight
did

Oblivious,
silenced
by
A+G,

Pul 
up
pretend
gate,
usher

drag
to
left,
run
back
to
E

drag
to
left,
run
back
to
E

Antonio
open
the
gates
of

dragged
away
to
left,
on

A+G
through,
point
left
–

as
soldiers,
point
on
exiled

as
soldiers,
point
on
exiled

Milan,
and
in
the
dead
of
the

exiled
look
sad

ordering

darkness,
we
were
dragged

No
crown
as
come
forward,

and
hurried
thence,
exiled

become
narrator

Run
to
right,
become
side

Run
to
right,
become
side

Become
J’s
people,
lead
him

Be
lead
to
boat,

So
dear
the
people
bore
me,

of
boat

of
boat

to
right,
to
boat

they
bore
us
to
the
sea‐coast,

where
they
prepared
a
rotten

carcass
of
a
boat

Sway
with
waves
as
boat

Sway
with
waves
as
boat

Push
boat
off

Stand
in
boat,
sailing

There
they
hoist
us,
to
cry
to

the
sea
that
roar’d
to
us
–

become
boat
head

Sway
with
waves
as
boat

Sway
with
waves
as
boat

Wave
boat
goodbye

O,
a
cherubin...thou
didst



smile.
Infused
with
a

fortitude
from
heaven

Hand
J
a
bundle
of
‘things’

Some
food
we
had
and

Hand
J
a
bundle
of
‘things’

Accept
things
thankful y,

Hand
J
a
bundle
of
‘things’

on
food
and
necessaries,

some
fresh
water
with

on
fresh
water,
kneeling
in

fil ing
up
arms.
Step

on
linens
stuffs,
kneeling
in

kneeling
in
front
of
him

linens
stuffs
and

front
of
him

forward
on

front
of
him

necessaries

Crouch
in
line
in
front
of
J

And
knowing
I
loved
my

Crouch
in
line
in
front
of
J

Step
forward,
put
things

Crouch
in
line
in
front
of
J

books,
furnish’d
mine
own

down
to
side
and
pretend

library
with
volumes
that
I

to
file
books

prize
above
dukedom



Sit
down
in
front
of
J
like

Sit
down
in
front
of
J
like

Sit
down
in
front
of
J
like

Here
in
this
island
we

Sit
down
in
front
of
J
like

audience,
but
kidlike,

audience,
but
kidlike,

audience,
but
kidlike,

arrived
–
spread
arms

audience,
but
kidlike,

crosslegged

crosslegged

crosslegged

gesturing

crosslegged




---

Transition

•
Somehow
use
of
ariel
to
change
‘scenes’

•
Puts
characters
to
sleep
to
set
up
next
scene

Scene
Three
–
Murder
him?

•
Something
with
Antonio,
Sebastian
and
Alonso
with
kil ing
eachother
&
sleep





And
then..?


---