Exhibit Gives Inside View Of Filmmaker Tim Burton's Creative Genius By: NY1 News
As Tim Burton's film, “Big Fish,” opens in wide release this weekend, New Yorkers can catch a behind‐the‐
scenes look at some of the director’s original sketches in a unique exhibit that takes viewers into the mind
of this creative genius. NY1's Stephanie Simon has more. There's "behind the scenes," and then there's behind the scenes.
The American Museum of the Moving Image presents a collection of filmmaker Tim Burton's original
artwork for some of his best‐known films, like “Planet of the Apes” and “Beetlejuice.”
They give you an inside look at writer/director/producer Tim Burton's creative process.
“These are sketches that Tim Burton makes in preparation,” said AMMI president Rochelle Slovin. “He
talks about sometimes sketching the character before he's even written the script. So his work is coming
out of his visual art.”
The small exhibit is called “Tim Burton: Drawings.” The filmmaker selected the watercolors, drawings and
sketches himself, from his personal collection.
“I like these ÎEdward Scissorhands’ drawings because they have a lot of feeling in the faces of the
character,” said Slovin. “So not only do you see someone with a wonderful hand — a really wonderful
fine artist — but a lot of the feeling of the character and a lot of the sensibility of what the movie is going
to be like.”
“These Martians from ÎMars Attacks’ are really my favorites,” said Slovin. “I think that they stand totally
on their own. You don't have to have seen the movie to really love these drawings.”
You can also take a peek at these early visions of “Pee Wee's Big Adventure.”
And sketches of Catwoman, before Michelle Pfieffer clawed her way into her catsuit for “Batman
Returns.”
In addition to the big hits, there's also artwork from Tim Burton's early years as an apprentice animator
at Disney, including drawings from the short films “Vincent” and “Frankenweenie.”
“Frankenweenie” pays playful homage to Frankenstein and classic horror film style. “Vincent” is about a
boy who dreams he's Vincent Price living in a horror movie.
Many of these drawings hint at the Tim Burton trademarks: stories that are dark and fantastic but oddly
comedic and that other‐worldliness of so many of his films, like “Sleepy Hollow” and the animated
musical “Nightmare before Christmas.”
Museum‐goers can also catch a glimpse of Burton's most recent work.
“So here's a sketch of the ringmaster from ÎBig Fish,’ Tim Burton's latest release,” said Slovin, pointing
out a sketch that looks distinctly like DeVito. “I don't know whether or not Tim Burton did this sketch
first and then thought of Danny DeVito for the character or whether this is actually a sketch of Danny
DeVito after he'd been cast.
“But Danny DeVito says he'll always take a part in a Tim Burton movie if he sees a sketch and the
character has hair,” joked Slovin.
For more information, contact the American Museum of the Moving Image at 718‐784‐4520 or check out
www.ammi.org.
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